#don't treat it as such

[some-pers0n]

I'm always entertained by people doing those "canon VS fanon" memes where both are misunderstanding characters to such a violent degree 'cause like

[lgbtlunaverse]

The world exists in such a baffling state of simultaneous sex-aversion and sex-hegemony. Every social platform on the internet is trying to banish sex workers to the shadow realm but I can't post a tweet without at least two bots replying P U S S Y I N B I O. People are self-censoring sex to seggs and $3× but every other ad you see is still filled with half-naked women. Rightwingers want queer people arrested for so much as existing in the same postal code as a child and are also drumming up a moral panic about how teenage boys aren't getting laid enough. I feel like I'm losing my mind.

[acorviart]

not to sound like a boomer, but I need some people to learn how to write emails in a semi-professional (at the very least) format so you're not cold emailing a business/potential employer/any other stranger about formal matters in the exact same way you'd DM a close friend on instagram

the formality/language can loosen up in the email chain once you've established a rapport and you match the other person if they're being less formal, but please don't have the very first email you send a stranger be written in all lowercase ultra-casual sms slang with no greeting or signature and a billion emojis

[sirtouchstarved]

nonononononnononononononon- PLEASE NONONONONONONONONONONONONONONPLEASEPLEASEPLEASEPLEASPELPSALSLEPLAPSLEPALPPLEASPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASEPLEASE

PLEASE NO NOT NOW NOT LIKE THIS, BELOVED PLEASE, PLEASE DON'T LEAVE ME LIKE THIS I'M NOTHING WITHOUT YOU

[slothmonth]

I agree that "in Germany your boss legally has to provide you with work while you're at your job" is a bit funny considering the German stereotype. But I am really annoyed at people who act like this is some horrible hypercapitalist thing on that post about pushing people out of their jobs by just not giving them anything to do. When really it's very basic worker protection (within the context of German emplyment law.) Because under most circumstances you can't just be fired from your job. Your employer has to provide a reason for firing you if they want to get rid of you. You also have a right to specifially the work you were hired to do.

So your boss having to give you appropriate work makes illegal any of the following:

a) Making you clean toilets instead of (or in addition to) the clearly defined office job you agreed to do

b) Not giving you work and then firing you for not doing your work

c) Waiting for you to crack under the intense boredom of having to stay on one place with absolutely nothing to do for eight hours a day while your coworkers are roped into it to shun you (or hate you because for some reason you're the only one who doesn't have to do any work) until you quit "voluntarily"

or d) waiting for you to crack under the aformentioned pressure until you do what the people in the notes said they'd do, like watching movies or doing a second job instead which is something you then can be reprimanded and fired for

[jeongyunhoed]

I didn't want to sound unappreciative of the signal boost in my latest reblog, but I would like to stress the importance of leaving out comments/feedback. This is ESPECIALLY for people towards the newer writers or even writers who have been around a while but barely get any feedback for their work.

I myself don't get a lot of feedback for whatever work I churn out here. But I also imagine there are writers on this platform who are JUST starting out to write for their fandoms. Make them feel welcome, acknowledge their works, it'll make their day, their week even, and they'll be encouraged to write more for their fandoms. Even if their works are original works, please, PLEASE give them some feedback/comments.

People can only imagine what it's like getting disheartened when something they poured their time and effort into isn't acknowledged. No, they're not asking for you to worship their works or whatever, but just to tell them if you liked it, what you liked about it, and/or if they could write more of it.

As someone who has experienced both sides (although not so much on the extreme of the popular writers), and continues to experience both ends, just having someone tell them to keep going, and that their works are appreciated is SO IMPORTANT.

[fremulon]

Crowley's hearing "I can finally make you good enough to deserve Heaven"

but Aziraphale's saying "I can finally make Heaven good enough to deserve you"

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[sandflakedraws]

woohoooo the time has come - i can now post the piece i did for Interlude, a Mushishi seasons zine

[simonbrain]

love the idea of reader just trying to fuck all her stress out with a random at the bar before returning back to her mundane life, and simon deciding he's going to keep her instead 🙂‍↕️

the prick doesn't budge when you try to kick him out; instead, he drags you back into bed and works his mouth to loosen you up again, and now you've forgotten why you were trying to haul his ass out of your home.

(you attempted to sound stern while telling him to get out of your house, but he merely chuckled, the sound so raspy and condescending that it stroked a heat within you that you thought was sated last night.

"this is our home. now get your arse back in bed, i'm fuckin' hungry.")

you had to really fist at his hair to pull him off of you, and that only turned him on if the deep groan rumbling out of him was anything to go by—you swear his tongue sunk deeper inside you. he only relented so he could fuck you dumb in the shower after, leaving you with trembling legs and feeling more dirty than clean (atta girl, don't you waste any of tha'—keep it all in).

you blink, and now suddenly you're seated as he spoon-feeds you a nice, hearty breakfast, huffing something like messy girl when toast crumbs get all over your face and the wooden table.

words can't express how flustered you are; you're too stunned to even continue telling the big man who's now feeding you scrambled eggs that he needs to leave. all you feel like you're capable of doing is opening your mouth to accept another spoonful, ignoring the ache you feel between your thighs when you catch his heavy stare and hear a low hum of approval.

then he's leaving (and it's not because of your nagging), muttering something about having to work those mutts to the bone today, all while you're trying to make sense of what's happening. he gives you a sloppy kiss to silence your questions and exasperation, one that makes you feel hot all over and almost melt into a puddle had it not been for the firm grip he had on your ass.

he licks his lips when he pulls back, eyes darting to where your shirt just barely covers where he'd rather be all day than having to go and train recruits. he stares for an uncomfortably long time and before you can speak up, face growing a little hot from the tension, he's turning around to finally leave.

before the door shuts, he says, "be a good girl, ay? see you tonight, birdie."

you're left with your thoughts and feelings of dread and anxiety. there definitely isn't any underlying interest or anything; the freak has fucked your brain out of your head, that's all. you're sure he didn't even mean it anyway. maybe. hopefully.

a drop of his come rolls down your thigh, and arousal shame burns through you. since when did you let one-night stands finish in you?

(your so-called one-night stand came home hungry and pissed, so worked up that he dragged you over to the nearest surface and played with you for a good hour. by the time you had half the mind to tell him about the dinner in the oven—your eyes nearly bulged out of their sockets at how much money he had sent you for groceries earlier, nevermind how he got ahold of your account details—he grunted and finally gave your poor pussy a break, scarred mug all slick and flushed.)

good luck when he takes you to meet his mates at the bar a week later, the same bar you brought him home from; the comments from them make you wish a hole in the ground would just swallow you right up.

"pretty thing ye caught, lt," johnny grins, a mischievous gleam in his eyes. he's a bit over the top, ogles your chest too hard, but overall he's... alright. you'd probably notice how perverted he really was if you actually looked at him longer than a few fleeting glances, but his stare is kind of unnerving.

kyle—perfection personified—hums in agreement, a warm smile on his face that puts you at ease. somehow you don't pick up on the ulterior motive behind his gaze running over your body, eyes roaming over your chest more discreetly than johnny but just as appreciative. "pretty indeed. you don't mind sharing, do you ghost?" kyle teases, pretty eyes glancing over at simon, who only huffs at that and shakes his head (much to your confusion).

who the fuck is ghost? you only know big guy and simon.

there's a deep chuckle and your focus flits over to the man seated in front of you, captain john price. if you thought simon was scary, john's a man who demands respect and attention just by being in his presence. "you chose the wrong dog to bring home," john hums, voice deep and gravelly and making you shamefully squeeze your thighs together.

"but that's alright, sweetheart. you have three others now, yeah?" the purr that comes out of his mouth is sinful, and when you nod and stammer out a yes, sir as if you were one of his soldiers and not the sweet girl that simon has brought to his captain, looking for approval of his newest toy, he only smiles.

simon's hand squeezes your thigh underneath the table, trailing upwards, and you're slowly understanding what it is that you've gotten yourself into.

[bean-spring]

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[captain-lovelace]

weird that we treat autism and ADHD as intrinsically linked due to high rates of comorbidity but no one talks that way about autism and schizophrenia or autism and OCD or autism and bipolar disorder etc etc even though those are also often comorbid. gee I wonder why

[missmisnomer]

it's always a good day to wake up and choose violence

More Rise silliness [ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ]

[1am-s0-veryt1red]

ppl that post previews or placeholders for upcoming fics on AO3 drive me insane. why are we doing this.

[homkamiro]

I have finally build enough courage to post my stupid yumeship🥹throw rocks.

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.